One of my favorite album covers is the cover of Salt-N-Pepa’s Blacks’ Magic. I ran across the album last summer and made an impulse buy based on the cover art alone. The other day, I was in the shower thinking about why I like this cover so much, when I had a realization about my attitude toward many issues today.
It’s
also spooky. Spirits of the dead hang overhead: Nina Simone, Louis Armstrong,
Jimi Hendrix and Billie Holiday. Have the girls just chanted a passage
summoning these souls from the afterlife? In any case, it’s clear their magic
is not black magic of the occult variety but the magic of black musicians.
This
is no perfunctory nod to great singers and instrumentalists of the past. No
doubt Salt-N-Pepa were inspired by these musicians and hoped to channel a
little of their artistry into the hip-hop on Blacks’ Magic. Now take that idea
beyond music to all fields from visual arts and literature to science and
social reform, and you arrive at an incredibly rich cultural heritage.
At
this point in my train of thought, I arrived at Black History Month, which is
designed to celebrate exactly this heritage. On social media, the agora of the
21st Century, there is a debate about Black History Month. The dialogue usually
plays out with one side promoting the observance, while the other raises
objections: If all people are equal, isn’t Black History Month itself racist?
Why can’t we have a White History Month? Do we need a History Month for every
group imaginable?
I
do, of course, take a side in this nitty-gritty free-for-all, but my innermost
self, my attitude prior to debate, the part of me that grew up among decent
people, simply thinks Black History Month is a nice thing, so why not? The
world has plenty of things to celebrate, and why shouldn’t the contributions to
cultural heritage by black individuals be among them?
Salt-N-Pepa
are interested in black heritage as African Americans, but it
strikes me how this heritage is a shared heritage: It’s my heritage, too. Whenever
I borrowed my dad’s Woodstock albums as a kid, my favorite tracks were Jimi
Hendrix’s “Star Spangled Banner” and “Purple Haze.” The other spirits on the
cover of Blacks’ Magic are no strangers either, with Billie Holiday being a
particular favorite. Of course, the list doesn’t stop there. In fact, it’s so
extensive that listing names would be ridiculous. Whether you feel the need
to focus on the racial label or not, black heritage is simply a part of our
cultural background, and it has blessed us all.
Prior
to any debate, I simply approve of a diversity of cool stuff.
And
Blacks’ Magic is cool stuff. Aside from that wonderful cover, it has intelligent
lyrics, samples from Public Enemy and James Brown, a bewitching melody borrowed
from The Turtles, ubiquitous salt and pepper shaker sounds, hit songs of the nostalgic sort, and a couple songs that even have that perfect hip-hop sound I spent years looking for. “Live and Let Die” is one, but “Swift”
is even better:
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